No no. Not men (I never was any good at that), weaving pick-up. And, it turns out, I'm not much good at that either.
I dragged out my inkle loom again, after many, many months of languishing. I put the warp on during last year's Oscars, so it hasn't been quite a year. Almost immediately, I discovered a warping mishap: I think one warp thread followed the wrong path (here is a picture of a correct warp), it wasn't obvious until I started having a hard time advancing. So I had to cut it off. Darn. So I decided to start playing around with the brocade pick-up technique.
I'm working with cotton yarns, the teal is a 10/2 mill end. It gets fuzzy and sticks to itself. The white in the warp is another mill end labeled 12/3 and it's a little thicker than the teal. In my first pick-up attempt, I used a single strand of the white. It looks stupid. I re-read Bress' instructions; she says to use a thicker, "fluffier" yarn for the pattern weft. So the top bit is some other, unlabeled cotton. It looks a little better, but still not what I'm after. Experiments will continue tonight.
I'm dealing with other deficiencies as well (aside from deficiency of experience or knowledge). I have only one shuttle and someone chewed on it.
A few days ago I listened to the Inklings episode of WeaveCast. Robyn Spady mentioned weaving with 30 gauge wire. Now I want to rip this warp off and put wire on. My head is spinning: what about beads? what about pick-up? maybe I could take a soldering iron to the thing after weaving and create other textures. Maybe I should actually learn how to use my inkle loom before I start putting strange new warps on?